asia

...now browsing by tag

 
 

Photo of the Week | Salamander – Inside China’s Zoos

Tuesday, March 9th, 2010

salamander2 Photo of the Week | Salamander   Inside Chinas Zoos

A Giant Salamander in Wuhan Zoo. 2008

“The greatness of a nation and its moral progress can be judged by the way that it treats its animals” – Mohandas Gandhi

In March of 2008, I was travelling down China’s greatest river, the Yangtze. Passing through the city of Wuhan, I happened upon the city’s zoo one day and was shocked by the conditions in which the animals were being kept. As a result, I returned to the city a few weeks later in order to photograph the various animals in an attempt to convey the appalling conditions in which they were living.

China has a mixed record in the way in which it treats its animals. From the use of animal parts for Chinese medicine to the new conservation efforts to protect tigers (as a result of  this year being the year of the tiger), it seems confusing whether animals are valued or not. Maybe attitudes are changing. A quick trip to the  zoo in Wuhan will certainly dispel you optimism for change however.

In this week’s ‘Photo of the Week’, a Giant Salamander is kept in the zoo’s aquatic house in a cramped and shallow pool. As visitors pass the pool, they throw coins in an attempt to make them land on top of the Salamander. This is done supposedly to bring the visitors luck and fortune.

To view more images from this series of animals such as crocodiles, lions and bears and the awful conditions in which they live in, please visit my portfolio site and follow Index>China>Lockdown-Inside China’s Zoos

Photo of the Week | Cadres

Monday, March 1st, 2010

Red Capital | Beijing | China | 2007

Cadres | Beijing | China | 2007

This week’s ‘Photo of the Week’ was a shot taken as part of the ‘One Night in Beijing’ shoot for the Immersion Guides to Beijing in 2007. Exactly one year before the beginning of the Olympic Games in Beijing, photographers all across the capital were commissioned to head out onto the streets to capture images that represented the city at night.

It was an interesting shoot and the result was a very nice book which showed off many of the eclectic pictures captured from that night. The above picture from a club in the city didn’t actually make the final edit but I always liked it due to the intense colours and the contrast between the Long March Cadres on the wall and the revellers dancing.

“Getting the Shot”

Friday, February 26th, 2010

The Guardian Newspaper |UK

The Guardian Newspaper | UK

With today’s post, I wanted to give readers an insight into the day-today shooting of a pro-photographer. I’ll be talking about something that is a key skill for working photographers, especially those who work on-assignment usually to tight or restrictive deadlines. When you are working as a photographer, it is of paramount importance that when you are assigned to a job, you ‘get the shot’ that your client wants.

Most editors/clients have little patience for excuses such as ‘the light wasn’t good’, ‘i didn’t have the right lense’, ‘the atmosphere wasn’t right for a picture’ etc. These are poor excuses and a client hires you because they expect you to overcome these obstacles and get the picture, because it’s your job to deliver.

Click to continue »

IMPACT: an online exhibition | Desertification Unseen

Monday, February 22nd, 2010
“Desertification is one of the most serious threats facing humanity”
- Kofi Annan, former UN Secretary General. World Day to Combat Desertification and Drought. 2006.
“The dryness affects our lives a lot. We call it the ‘black disaster’, which means there is no grass. On the grassland, we are afraid of this disaster”, says Zamusu, a farmer who has lived his entire life on the central grasslands of  Inner Mongolia, in Northern China. These legendary grasslands are slowly deteriorating, suffering as a result of the world’s least reported environmental crisis.
Desertification is the gradual transformation of arable and/or habitable land into desert, usually caused by overpopulation, water mismanagement, poor farming methods, the destructive use of land by industry and climate change.
38% of the world’s surface area is now threatened by desertification, affecting countries across the world from North Africa, the countries of the Middle East, Australia, China and the western edge of South America.
“If we don’t take action, current trends suggest that by 2020 an estimated 60 million people could move from desertified areas of sub-Saharan Africa towards North Africa and Europe, and that worldwide, 135 million people could be placed at risk of being uprooted”, Kofi Annan (2006).
In 2007 I began photographing the issue of desertification and how it was affecting the lives of people in one of the world’s hardest hit countries, China. With the help of grants from a leading photojournalism agency in 2008 and a leading news organization in 2009, I was able to travel over 4000km overland to document how the people of China are being affected by this crisis, which has consumed over 20% of their country.
To learn more about how you can help combat desertification, please visit the Million Tree Project which aims to reforest areas of Inner Mongolia being affected by desertification.

Welcome to the new IMPACT online exhibition, a project exploring the internet as a venue for insightful photographic work. In an effort to remind viewers of the important role photographers play around the world, we invited an array of imagemakers to share galleries on their blogs (like this one) that comprise images representing an experience when they had an impact on or were impacted. By clicking on the links below the IMPACT logo, you can move through the exhibition, viewing other galleries by different photographers. You can also click the IMPACT logo to be taken to a post on the liveBooks RESOLVE Blog where you can see an index of all participating photographers. We hope that by linking different photographic visions of our first topic, ”Outside Looking In,” we can provide a multifaceted view of the topic as well as the IMPACT individuals can have on the world around us.

The IMPACT Team

Please find below my contribution to this exhibition: “Desertification Unseen”, a look at some of my lesser known desertification images and some that have not been released before, accompanied by text outlining the severity of this current crisis. – Sean Gallagher

 IMPACT: an online exhibition | Desertification Unseen

Dry and cracked soil in Gansu Province.2009

Desertification is one of the most serious threats facing humanity”- Kofi Annan, former UN Secretary General. World Day to Combat Desertification and Drought. 2006.

Desertification in China | Sean Gallagher Photography | Beijing | China

A tourist stands on one of the large sand dunes that make up the Shapotou Desert tourist resort. The resort has provided jobs for local residents and has been a way for the local economy to benefit from the desert. 2009

“The dryness affects our lives a lot. We call it the ‘black disaster’, which means there is no grass. On the grassland, we are afraid of this disaster”, says Zamusu, a farmer who has lived his entire life on the central grasslands of  Inner Mongolia, in Northern China. These legendary grasslands are slowly deteriorating, suffering as a result of the world’s least reported environmental crisis.

Click to continue »

Photo(s) of the Week | Chinese New Year

Monday, February 15th, 2010
White Cloud Temple | Baiyun Guan

White Cloud Temple | Baiyun Guan

On Saturday night, the skies lit up with fireworks above most Chinese cities, signifying the start of China’s most special holiday of the year: Chinese New Year.

For the next week Chinese families will spent most of the time eating, drinking, visiting family members, catching up with old friends and heading to many of the temple fairs that are taking place. This week’s ‘Photo(s) of the Week’ come from the White Cloud Temple in Beijing. This Taoist temple is over a thousand years old and is one of the locations for Beijing’s most interesting celebrations during this special week.

The photo at the top is of people rubbing chinese characters, in order to gain luck, fortune, prosperity etc. from the character of corresponding meaning.

White Cloud Temple | Baiyun Guan

White Cloud Temple | Baiyun Guan

The second image is taken within the grounds of the temple and is of two young girls, dressed up in their finest new year clothes.

We’re very excited to be returning to this temple tomorrow for our special Chinese New Year Photography Workshop where students will have the chance to capture the unique celebrations at this special temple. I wish all readers of my blog a happy and prosperous new year of the Tiger! 虎年快乐!

China’s Growing Sands on Greenpeace China

Wednesday, February 10th, 2010

Greenpeace China

Greenpeace China

Recently, I was approached by Greenpeace China do write a short article for their website about my work on desertification in China for the Pulitzer Center on Crisis Reporting. This has been a great chance to reach out to Greenpeace’s audience and inform them about the work that I have been doing on this subject. You can see the article here, or scroll down to read the text as it was published.

Beijing, China — China’s poverty-stricken northwest is swathed in sand. The deserts are creeping over ever larger areas, in part because of weather changes linked to climate change. Sean Gallagher a young British photographer travelled to Ningxia to document China’s growing sands.
“You can smell a sandstorm. As I woke this morning, my throat was drier than normal and the smell of dust and sand had crept into my room whilst I was sleeping. I opened my curtains expecting to see the Yellow River out of my window but all I could see was a haze of yellow light.” Sean Gallagher. Diary entry. April, 2009.
The sandstorm that descended on me that day was the most visually arresting sight I had seen during my time in China. Blocking out the sun, casting a yellow/orange light on the earth and bringing life to a standstill, I was experiencing something that was strangely unnerving. The underlying cause would prove to be even more so.
I was in a place called Shapotou, in the province of Ningxia. Ningxia Hui Autonomous Region is a small province lying in Loess highlands of north-central China. Dry and desert-like, it is China’s poorest province and is the least visited by outsiders. It was the second of my stops on a 4000km journey across China documenting the effects of desertification on the north and west of the country for the Pulitzer Center on Crisis Reporting. It was a journey that would take me to a city of environmental refugees, visit degraded grasslands, abandoned cities, desert theme parks and disappearing oases.
So what is desertification? The desertification of north and western China is arguably the most under-reported environmental crisis facing China today and is little understood outside the circles of NGOs and groups of scientists who are desperately fighting against it.
Desertification is the gradual transformation of arable and/or habitable land into desert, usually caused by local and global climate change and more recently in China, fuelled by the destructive use of land in the forms of over-grazing, increased population, water mis-management and outdated farming methods. As land becomes degraded, the spring winds of northern-central China pick up sand and dust, hurling into the air creating vast sandstorms which batter the region.
Each year, desertification and drought account for US$42 billion loss in food productivity worldwide. In China, approximately 20% of land is now classified as desert or arid, and desertification is adversely affecting the lives of over 400 million people in China alone.
“Desertification is one of the most serious threats facing humanity.  It is a global problem, affecting one fifth of the world’s population in more than 100 countries”, stated former United Nations Secretary-General Kofi Annan, in a message on World Day to Combat Desertification and Drought in 2006. “If we don’t take action, current trends suggest that by 2020 an estimated 60 million people could move from desertified areas of sub-Saharan Africa towards North Africa and Europe, and that worldwide, 135 million people could be placed at risk of being uprooted.”

Beijing, China — China’s poverty-stricken northwest is swathed in sand. The deserts are creeping over ever larger areas, in part because of weather changes linked to climate change. Sean Gallagher a young British photographer travelled to Ningxia to document China’s growing sands.

“You can smell a sandstorm. As I woke this morning, my throat was drier than normal and the smell of dust and sand had crept into my room whilst I was sleeping. I opened my curtains expecting to see the Yellow River out of my window but all I could see was a haze of yellow light.” Sean Gallagher. Diary entry. April, 2009.

Greenpeace China Front Page

Greenpeace China Front Page

The sandstorm that descended on me that day was the most visually arresting sight I had seen during my time in China. Blocking out the sun, casting a yellow/orange light on the earth and bringing life to a standstill, I was experiencing something that was strangely unnerving. The underlying cause would prove to be even more so.

Click to continue »

Former student of Hutong Photography workshop featured in City Weekend

Friday, February 5th, 2010

City Weekend

City Weekend

We were delighted to find out last week that Chelin Miller, who is a former student from one of out hutong workshops, was featured in Beijing City Weekend and interviewed about her experiences taking on of our classes. You can read a snippet of the interview here online and read it reproduced below. Well done Chelin! To see images from the workshop Chelin attended, please go here.

Snap Happy: Hutong Photography

*Amateur photographer Chelin Miller tells us why she hones her skills in Sean Gallagher’s photo workshops
What is it about photography that draws you?
Photos tell a story, preserve memories and can be a fantastic creative outlet. Have you ever studied photography before? I have never studied photography seriously, but I’ve had a passion for it since I was a teenager.
How did you find the hands-on photography workshop?
There was a feeling of camaraderie from the beginning. We were eight in our group. Armed with our cameras, we went out around the hutong and although we were all together, we all perceived different aspects of the area, the people and the architecture. It was fascinating to come back to the hostel and review everybody’s photos; I think we all learned a lot from each other.
Is the workshop accessible to the camera challenged?
Yes, the workshop was very clear and concise. It covered enough basic technical and composition steps to be able to take good photos even if you were a total beginner, without slowing down the pace for those with a little bit more experience.
Will you be taking the workshop again?
Yes, definitely. I can’t wait to go to Harbin for the ice festival with Sean and Jessica’s group. Being with others who share my passion, making jokes, feeding ideas off each other and learning from each other is what makes the workshops so enjoyable.

*Amateur photographer Chelin Miller tells us why she hones her skills in Sean Gallagher’s photo workshops

What is it about photography that draws you?

Photos tell a story, preserve memories and can be a fantastic creative outlet.

Have you ever studied photography before?

I have never studied photography seriously, but I’ve had a passion for it since I was a teenager.

(c) City Weekend

(c) City Weekend

How did you find the hands-on photography workshop?

There was a feeling of camaraderie from the beginning. We were eight in our group. Armed with our cameras, we went out around the hutong and although we were all together, we all perceived different aspects of the area, the people and the architecture. It was fascinating to come back to the hostel and review everybody’s photos; I think we all learned a lot from each other.

Is the workshop accessible to the camera challenged?

Yes, the workshop was very clear and concise. It covered enough basic technical and composition steps to be able to take good photos even if you were a total beginner, without slowing down the pace for those with a little bit more experience.

Will you be taking the workshop again?

Yes, definitely. I can’t wait to go to Harbin for the ice festival with Sean and Jessica’s group. Being with others who share my passion, making jokes, feeding ideas off each other and learning from each other is what makes the workshops so enjoyable.

February Workshops Announced: Chinese New Year Special Workshop & Hutong Photography

Sunday, January 31st, 2010
Chinese New Year Special Workshop: White Cloud Temple

Chinese New Year Special Workshop: White Cloud Temple Fair

February welcomes a very unique time of the Chinese calendar; Chinese New Year! To mark the most important holiday of the year, we are running a special workshop to coincide with the celebrations here in the nation’s capital. We continue in the vein of trying to introduce our workshop participants to less-visited and authentic locations, therefore will be holding this workshop at the White Cloud Temple, in XiCheng District on Tuesday 16th February from 11:00 a.m. to 16:00 p.m. This spectacular Taoist temple is over 1000 years old and is one of the city’s hidden cultural gems. It will be the perfect place for photographing the true, authentic and traditional new year celebrations. To find out more details about how to join us on this special workshop, please head to our workshop page here.

For those of you leaving Beijing for the holidays and won’t have a chance to attend the Chinese New Year workshop, do not worry! The increasingly popular Hutong Photography Workshop is back again on Sunday 28th February from 10:00 a.m. to 18:00 p.m. and will again offer participating students the chance to explore the maze-like hutongs whilst improving their photography. We were delighted to learn that this month a former student from this workshop was featured in Beijing City Weekend Magazine talking about her experiences taking this class. Read a snippet of her interview here and then find out how to book your place here through our workshop page.

We look forward to seeing you!

New Gallery: A Modern Life

Thursday, January 28th, 2010
IKEA Beijing

IKEA Beijing

This week I posted a new gallery on my main portfolio site titled “A Modern Life”, which I’d like to invite you to view in the China gallery.

It’s a small set of photos which I did for a magazine earlier last year, which I have only just got around to featuring now. The feature is on the subject of IKEA, the Swedish furniture superstore, in Beijing. This is possibly an odd topic of choice for a feature you may think however IKEA has become a symbol for modern living in Beijing with hundreds of Chinese people streaming through its doors every day since it opened 10 years ago.

IKEA Beijing

IKEA Beijing

Many visitors aren’t there just for the furniture. IKEA Beijing has become a day-trip destination for some people as they use the beds and couches to lounge around, sit and talk to friends and generally relax and take it easy. For a photographer, it’s a perfect location as people treat showrooms almost as their homes therefore giving you a strange perspective into the daily lives of people.

To view the gallery, please head to my portfolio site here and follow Index>China>A Modern Life

New Store! Buy Prints, Offset Carbon Emissions & Combat Desertification

Monday, January 25th, 2010
Buy Prints, Offset Carbon Emissions & Combat Desertification

-

I am happy to announce the addition of the Sean Gallagher Photography Store to this site! In the store you will find a selection of prints for sale, both framed and unframed. Whether buying for yourself, or as a gift for a friend or family member, the wide range of images offers a broad selection to suit everybody’s taste in images.

MTP

MTP

To kick the store off, I have teamed up with the Jane Goodall ‘Roots and Shoots’ and Million Tree Project to provide a special offer on anyone buying prints where the subject is desertification. When you purchase a print depicting desertification from the store, 10% of the proceeds will be donated directly to the Million Tree Project who will use your money to plant trees in areas of Inner Mongolia that are being severely affected by desertification.

1 tree costs only 25 Chinese Renminbi (= approx. US$3.7 / GBP2.3 /  Euro 2.6), therefore purchasing a print at US$200 will result in the planting of 5 trees (5.4 to be exact)! To learn more about the project, please click on the Million Tree Project logo above.

*Buy prints, offset your carbon emissions and directly help combat desertification*

1/9

1/11 - 29.3in x 21.7in (74.5cm x 55cm) - Shapotou Couple- US$250 (excl. P&P)