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Dry and cracked soil in Gansu Province.2009

“Desertification is one of the most serious threats facing humanity”- Kofi Annan, former UN Secretary General. World Day to Combat Desertification and Drought. 2006.

A tourist stands on one of the large sand dunes that make up the Shapotou Desert tourist resort. The resort has provided jobs for local residents and has been a way for the local economy to benefit from the desert. 2009

“The dryness affects our lives a lot. We call it the ‘black disaster’, which means there is no grass. On the grassland, we are afraid of this disaster”, says Zamusu, a farmer who has lived his entire life on the central grasslands of  Inner Mongolia, in Northern China. These legendary grasslands are slowly deteriorating, suffering as a result of the world’s least reported environmental crisis.

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Myself (left), Paul Hayward (center) and Alex Yallop (right)

It’s Friday night here in Beijing and rather than being out and about, I have just returned from another busy day since my return from the US last week. It always seems that being away from home for any period of time leads to a serious build up of work that needs to be caught up on upon return. As I was going through my archive tonight, I stumbled upon another photo taken from my time as an intern at Magnum Photos London office during 2004-2005. Readers of this blog in its earlier stages will know I have already posted one photo from my internship, here.

The above photo was more than likely taken on a Friday night, probably around 5 years ago now in what was the old Magnum London Office situated on Old Street in central London. Pictured above are myself (left), Paul Hayward (centre) and Alex Yallop (right) my fellow interns at the time, indulging in a beer in the office after what I am sure was a typically busy week.

Moments like this were a great part in the whole experience of being an intern at Magnum. Chances to stop and digest what we were experiencing, were fairly few and far between but the bonding experiences we felt as interns was something pretty special.

It’s also great to know that we are all still in touch and finding our own paths in photography. If you ever get the opportunity to intern at Magnum, or any other quality photo-agency for that matter, one of my biggest pieces of advise would be to grab every opportunity you are presented with. Paul Hayward (pictured center) for example, is now the head of the digital department at Magnum London after starting as an intern in the same department. Alex Yallop (pictured right) is now a professional freelancer, spending his time flitting between Europe and Asia. I, myself, have been freelancing in China since leaving Magnum and was lucky enough to be awarded Magnum photographer David Alan Harvey’s Emerging Photographer Award last year. Many other interns have gone on to be assistants of the photographers and previous intern Jonas Bendiksen is now even a member of the agency whose photographers he once made coffees for and whose phone calls he answered!

My point is, if you get an opportunity, a chance, a break etc….seize it. You never know where it may take you.

David Alan Harvey Presents... (c) Brendan Hoffman

*UPDATE* For lots more photos from this great exhibition, please head here at brightyoungthings.com

This will be a very quick post, but wanted to show you the print of mine in the David Alan Harvey Presents… exhibition over at PhotoWeek DC at the moment. As you can see, the prints have been almost ’strung-up’, hanging side by side clipped onto a metal or nylon string…can’t quite tell. It’s quite an interesting way to display the prints and I actually think it represents the ‘raw’ style that Burn is coming to be down for. A little different, loose, constantly changing.

Photo above is courtesy of Mr. Brendan Hoffman, Capitol Hill photographer extraordinaire. Next blog post will have more about him and our trip behind the scenes at the senate in DC.

FOTOWEEK DC

If you are in the Washington DC area this week, then you should make a beeline for the wealth of photography events they on this week as part of FOTOWEEKDC. I am slightly miffed as I spent the best part of last week in DC and had to leave just before all the events kicked off. Oh well, these things happen, but I am happy as two of my images will be featuring in two different events during the FotoWeek.

The first image is one from my series on desertification in China and it will be in the David Alan Harvey Presents… exhibition. For details of where to find it, please go here. As many of you will already know, this image was featured on David’s Burn magazine a few months ago. I actually bumped into David just the other day when I was in New York. He was passing through on his way to FotoWeek, but we managed to grab a coffee in his apartment in ‘the Kibbutz’ in Brooklyn.  He had just come back the night before from a workshop in Mexico, was off to FotoWeek briefly and then was heading back to Mexico again for another workshop. I thought I had a busy schedule, but David takes it to another level!

David Alan Harvey Presents...Desertification in China

My second image in FotoWeek DC will be part of the Critical Exposure Auction. Critical Exposure is an organisation that promotes young people to use photography as a form of empowerment and provides opportunities for them to change their lives using photography. I was approached last month to donate a print (see image below) to their auction, which will be held on November 12th. More details here. If you are around Georgetown at that time, please head down to support them and maybe even bid for my print!

Critical Exposure Auction | North Korea

burn.gallery.show

Yesterday and today, or today and tomorrow, depending on your time zone sees the launch of the new burn.gallery.show. This is one of the newest ventures for Burn magazine to raise funds and increase exposure for this new and exciting online photography magazine. If you have been living under a little bit of a rock in photography circles recently, then you may not have heard about Burn, the brainchild of the legendary Magnum and National Geographic photographer David Alan Harvey.

I first met David in 2003 when I attended one of his workshops in Lisbon, Portugal. At that time, I was an english teacher in Japan and was experimenting with photography and looking for inspiration, hence I travelled back to Europe to participate in one of his workshops. What I found was a man of incredible passion and enthusiasm for photography that was palpably infectious. Attending his workshop was one of the most important things that happened to me, photographically. On presenting my portfolio to David, he deconstructed it in a way I had never had explained to me before. Critical of many of the photos he saw, only a couple remained the critique that he barely liked. I decided from that moment to prove him, and most importantly myself, that I was able to create good pictures.

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