Burn Magazine

This week, one of the most important grants of the year was announced, the Emerging Photographer Fund from David Alan Harvey and BURN Magazine. This year, $15,000 is being given away to photographers of any discipline, who are seeking funding to continue their long-term photographic work. I was lucky enough to receive the first of these grants back in 2008 and I can assure you that is well worth your time applying. Last year I wrote a post explaining what the grant had done for me, in terms of my professional development, which you can read here.

Earlier this week, one of my most recent projects ‘China’s Fragile Forests’ was published on Burn Magazine. It’s a perfect venue for the work and I thank David for helping the issue reach more people.

The deadline for the Emerging Photographer Fund is May 15th, 2012. So, start getting that application together. Or, if you have more images to shoot, stop reading this and get out there taking some pictures! Good luck!

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Just a very quick reminder to readers here that there are only 2 days left to submit your entry to the Burn/David Alan Harvey Emerging Photographer Fund. This is a wonderful opportunity for photographers with a very substantial $15,000 for the chosen work. Please take a moment to read an article I wrote in January about the impact on me and my work in receiving the first EPF in 2008. If you decide to enter, best of luck!

Burn

The Emerging Photographer’s Fund is an evolution from discussions on David’s old blog ‘Road Trips‘. Road Trips was David’s first foray into blogging and became and intimate community of people keen to learn from David’s experience as a professional photographer for National Geographic and Magnum.

The appearance of blogging has, I feel, been a gift to aspiring photographers as more and more established professionals have gone online to openly and candidly share their thoughts and experiences with their followers. As a young photographer starting out, one of the things I craved was learning from pro-photographers and learning how they approached their careers and their work. Road Trips was a goldmine for any young photographer looking for information and/or advice. It still is a goldmine, although Road Trips is no longer, and has evolved very successfully into Burn. As I have evolved too as a photographer, making the first forays into the beginning stages of my professional career, I still value the Road Trips/Burn community as much as before.

Road Trips

In the summer of 2007, David announced the idea that he was giving out a grant. He challenged the readers of his blog to find a photo-project which they would ultimately submit and he would consider for further funding. I had been sitting on the idea of photographing the issue of desertification (the gradual expansion of deserts and arid land) for some time but hadn’t found the right time to get the project going. The challenge from David was to be my impetus to start.

I packed some clothes and my camera and booked a flight from Beijing to western China to a place I knew was suffering from desertification. At that time, the trip was funded out of my own pocket and I realistically knew that my chances of being awarded a grant were very small, due to the fact I was sure many good photographers would be entering too. It didn’t really matter to me though, as it was a project that I had wanted to cover for sometime and the challenge was enough to make me want to start. My aim was to get the project started and if I was lucky, get it infront of David on a computer sometime and get a few pieces of advice. I didn’t expect anything else. It’s important when you enter competitions or grants that you don’t expect anything. Continue with your work anyway. If you get any kind of recognition, it’s a bonus. You still need the passion for the subject to continue with it, even if it doesn’t pick up and awards along the way. They should never be your goal.

On new year’s day in 2008, I turned on my computer and went to the Road Trips site checking to see if the winner’s had been updated. To my complete astonishment, there was my name listed as the recipient.

Road Trips

For me, the biggest impact of winning the grant at such an early stage in my career as a photographer, came in terms of confidence. Young photographers are often unsure in their work. Unsure and daunted by the sheer amount of photographic talent there is out there and how they will find a foothold in the industry. Having come from a non-photographic background, my worries about whether photography was the right place for me were completely allayed from that point.

As a result of winning the grant, I also invested in attending two of the major photo-festivals in 2008, Visa Pour L’image and Look3. Attending these festivals was very special for me, as I began to connect with many of the people who I had only known online previously. The encouragement I gained from these individuals was amazing and many of them are now good friends and people whom I regularly seek advice from.

At the end of the day though, if you are a young photographer reading this, the money that the grant awards should not be the motivation. It’s the subject that should be the motivation. If you have found a subject that you really care about, are really passionate about, then this is what is going to make you stand out. If you win the grant, then it’s a bonus. A big bonus, for sure.  Edit tight. Edit to show your vision. Edit to show your feelings. Even if nothing comes from entering, this may be a great chance to really sit down with your work and try to think about it. Talk to others about it. Understand it. Move in the right direction.

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There will be lots of good photographers entering, but you have to put your work in the proverbial mixer. You’ve got to be in it to win it.

I hope this has been helpful to anyone thinking of applying. Good luck!

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Dry and cracked soil in Gansu Province.2009

“Desertification is one of the most serious threats facing humanity”- Kofi Annan, former UN Secretary General. World Day to Combat Desertification and Drought. 2006.

A tourist stands on one of the large sand dunes that make up the Shapotou Desert tourist resort. The resort has provided jobs for local residents and has been a way for the local economy to benefit from the desert. 2009

“The dryness affects our lives a lot. We call it the ‘black disaster’, which means there is no grass. On the grassland, we are afraid of this disaster”, says Zamusu, a farmer who has lived his entire life on the central grasslands of  Inner Mongolia, in Northern China. These legendary grasslands are slowly deteriorating, suffering as a result of the world’s least reported environmental crisis.

A theme park in Ningxia Province is shrouded in sand during a sandstorm. Sandstorms occur as the spring winds blow and throw dry and degraded topsoil into the air. 2009

Desertification is the gradual transformation of arable and/or habitable land into desert, usually caused by overpopulation, water mismanagement, poor farming methods, the destructive use of land by industry and climate change.

Workers at the Shapotou desert theme park take a break as work slows. 2009

38% of the world’s surface area is now threatened by desertification, affecting countries across the world from North Africa, the countries of the Middle East, Australia, China and the western edge of South America.

A tourist runs in the desert in Ningxia province. 2009

“If we don’t take action, current trends suggest that by 2020 an estimated 60 million people could move from desertified areas of sub-Saharan Africa towards North Africa and Europe, and that worldwide, 135 million people could be placed at risk of being uprooted”, Kofi Annan (2006).

Creeping sands in Inner Mongolia swallow a fence at the side of a road. 2009

In 2007 I began photographing the issue of desertification and how it was affecting the lives of people in one of the world’s hardest hit countries, China. With the help of grants from the David Alan Harvey Fund for Emerging Photographers in 2008 and the Pulitzer Center on Crisis Reporting in 2009, I have been able to document how the people of China are being affected by this crisis, which has consumed over 20% of their country.

The grasslands of Inner Mongolia are suffering as a result of overgrazing and pressure put on them by rapid population and industry growth in the area. 2009

To learn more about how you can help combat desertification, please visit the Million Tree Project which aims to reforest areas of Inner Mongolia being affected by desertification.

A sandstorm descends on a bridge in Ningxia Province, bringing life to an almost standstill. 2009

Myself (left), Paul Hayward (center) and Alex Yallop (right)

It’s Friday night here in Beijing and rather than being out and about, I have just returned from another busy day since my return from the US last week. It always seems that being away from home for any period of time leads to a serious build up of work that needs to be caught up on upon return. As I was going through my archive tonight, I stumbled upon another photo taken from my time as an intern at Magnum Photos London office during 2004-2005. Readers of this blog in its earlier stages will know I have already posted one photo from my internship, here.

The above photo was more than likely taken on a Friday night, probably around 5 years ago now in what was the old Magnum London Office situated on Old Street in central London. Pictured above are myself (left), Paul Hayward (centre) and Alex Yallop (right) my fellow interns at the time, indulging in a beer in the office after what I am sure was a typically busy week.

Moments like this were a great part in the whole experience of being an intern at Magnum. Chances to stop and digest what we were experiencing, were fairly few and far between but the bonding experiences we felt as interns was something pretty special.

It’s also great to know that we are all still in touch and finding our own paths in photography. If you ever get the opportunity to intern at Magnum, or any other quality photo-agency for that matter, one of my biggest pieces of advise would be to grab every opportunity you are presented with. Paul Hayward (pictured center) for example, is now the head of the digital department at Magnum London after starting as an intern in the same department. Alex Yallop (pictured right) is now a professional freelancer, spending his time flitting between Europe and Asia. I, myself, have been freelancing in China since leaving Magnum and was lucky enough to be awarded Magnum photographer David Alan Harvey’s Emerging Photographer Award last year. Many other interns have gone on to be assistants of the photographers and previous intern Jonas Bendiksen is now even a member of the agency whose photographers he once made coffees for and whose phone calls he answered!

My point is, if you get an opportunity, a chance, a break etc….seize it. You never know where it may take you.

David Alan Harvey Presents... (c) Brendan Hoffman

*UPDATE* For lots more photos from this great exhibition, please head here at brightyoungthings.com

This will be a very quick post, but wanted to show you the print of mine in the David Alan Harvey Presents… exhibition over at PhotoWeek DC at the moment. As you can see, the prints have been almost ‘strung-up’, hanging side by side clipped onto a metal or nylon string…can’t quite tell. It’s quite an interesting way to display the prints and I actually think it represents the ‘raw’ style that Burn is coming to be down for. A little different, loose, constantly changing.

Photo above is courtesy of Mr. Brendan Hoffman, Capitol Hill photographer extraordinaire. Next blog post will have more about him and our trip behind the scenes at the senate in DC.

FOTOWEEK DC

If you are in the Washington DC area this week, then you should make a beeline for the wealth of photography events they on this week as part of FOTOWEEKDC. I am slightly miffed as I spent the best part of last week in DC and had to leave just before all the events kicked off. Oh well, these things happen, but I am happy as two of my images will be featuring in two different events during the FotoWeek.

The first image is one from my series on desertification in China and it will be in the David Alan Harvey Presents… exhibition. For details of where to find it, please go here. As many of you will already know, this image was featured on David’s Burn magazine a few months ago. I actually bumped into David just the other day when I was in New York. He was passing through on his way to FotoWeek, but we managed to grab a coffee in his apartment in ‘the Kibbutz’ in Brooklyn.  He had just come back the night before from a workshop in Mexico, was off to FotoWeek briefly and then was heading back to Mexico again for another workshop. I thought I had a busy schedule, but David takes it to another level!

David Alan Harvey Presents...Desertification in China

My second image in FotoWeek DC will be part of the Critical Exposure Auction. Critical Exposure is an organisation that promotes young people to use photography as a form of empowerment and provides opportunities for them to change their lives using photography. I was approached last month to donate a print (see image below) to their auction, which will be held on November 12th. More details here. If you are around Georgetown at that time, please head down to support them and maybe even bid for my print!

Critical Exposure Auction | North Korea

burn.gallery.show

Yesterday and today, or today and tomorrow, depending on your time zone sees the launch of the new burn.gallery.show. This is one of the newest ventures for Burn magazine to raise funds and increase exposure for this new and exciting online photography magazine. If you have been living under a little bit of a rock in photography circles recently, then you may not have heard about Burn, the brainchild of the legendary Magnum and National Geographic photographer David Alan Harvey.

I first met David in 2003 when I attended one of his workshops in Lisbon, Portugal. At that time, I was an english teacher in Japan and was experimenting with photography and looking for inspiration, hence I travelled back to Europe to participate in one of his workshops. What I found was a man of incredible passion and enthusiasm for photography that was palpably infectious. Attending his workshop was one of the most important things that happened to me, photographically. On presenting my portfolio to David, he deconstructed it in a way I had never had explained to me before. Critical of many of the photos he saw, only a couple remained the critique that he barely liked. I decided from that moment to prove him, and most importantly myself, that I was able to create good pictures.

On January 1st 2008, through his blog Road Trips, David awarded me his first emerging photographer’s fund. Today, Road Trips has evolved into Burn magazine, which David has created alongside Anton Kusters, his Creative Director. Burn is an inspiration for many photographers who are struggling in a time when it seems that photography is being strangled and devalued.

The burn.gallery.show is the first print exhibition of many of the emerging photographers who have appeared through Road Trips and Burn, alongside legendary photographers such as Elliott Erwitt, Bruce Davidson, Susan Meiselas, Alex Webb etc. I am honored that one of my images has been chosen to run alongside these photographers. The image chosen is this one, that was featured on Burn earlier this year.

To find out what burn is, go here