Earlier this year, I was invited by the British Council to take part in a series of talks in China, presenting my work on documenting the country’s environmental issues to over 300 students at Shanghai’s prestigious Tongji University. I was honored to be part of this series promoting the work of British figures, as previous speakers have included people such as entrepreneur Richard Branson and actor Patrick Stewart.
Next week, I go back on the road again to take part in the same series of talks, this time visiting the cities of Shenyang and Chongqing. It will be an exciting opportunity to speak to new audiences in new cities and bring the message of environmental awareness through photography and multimedia.
If you happen to be in those cities next week, I shall be speaking in Shenyang on Wednesday 21st September and in Chongqing on Thursday 22nd September. You can book your place here.
In light of my recent travels for the Pulitzer Center and new multimedia, I’ll have a new presentation to give, however here is a video of my first presentation in Shanghai earlier this year, to give you an idea of the things that I’ll be talking about.
“24 Events…24 Time Zones…24 Hours of Reality Droughts, floods, heat waves, insect outbreaks, wildfires, sea level rise – we are encountering the reality of our changing climate every day. Five years after the theatrical release of An Inconvenient Truth, Nobel Laureate and former Vice President Al Gore will host an international event that brings the world together in a critical moment of global consciousness to deliver the message: The climate crisis is real, and it’s already happening.”
Whichever time zone you are in, please tune in to this 24-hour broadcast and listen to the incredibly important lectures outlining the impacts of climate change on our world.
Get the evidence. Accept the reality of our changing climate. Take action.
This week the Asia Society and I launched a new collaborative project which brings together 4(!) brand new multimedia pieces, focusing on my Pulitzer Center on Crisis Reporting on issues surrounding the disspaearance of China’s wetlands.
As regular readers here will know, this is is a project that I began last year and have continued to develop, this time with the assistance of the Asia Society.
I am excited to launch this new portal as it brings together all 7 multimedia pieces from across China, giving viewers a new in-depth look at the country’s wetlands.
You can dip in and view one or two pieces, or go for the full experience and watch all seven. Either way, I very much hope you enjoy the pieces and they help you to understand some of the complex issues which are affecting and threatening the country’s waterways.
If you have any questions at all about the production, please feel free to ask them blow in the comments section.
I am really delighted to share the news here on my blog that my multimedia piece, ‘Dongting: A Lake In Flux” recently won 1st Prize in the prestigious British Press Photographer’s Year 2011. These awards highlight some of the best wotk from British photographers working around the world, so am honoured to be included in their list of awardees this year. I am also especially grateful to the Pulitzer Center on Crisis Reporting who sponsored the production of this work last year, as part of my Threatened Waters Project.
An exhibition of all the awarded work is now on at the National Theatre in London and runs from the 18th July to the 4th September. If you’re passing by, drop in and see some of the incredible work on show.
I’ve been debating with myself over the past week whether or not to write a post on the subject of the loss of Tim Hetherington and Chris Hondros. I did not known these men personally. I coincidentally know many of their friends very well but I had never been lucky enough to meet them myself. I knew of Tim due to his reputation within photojournalism but I am afriad I was not familiar with the work of Chris Hondros before the tragic events in Libya on 20th April. I was deeply saddened in knowing the world of photojournalism had lost these two men. Having seen many of the heartfelt dedications coming out to these men from close friends and colleagues, I felt it was inappropriate for me to comment since I did not know them.
I felt I needed to write this post today however, as last night I finally had the opportunity to watch two pieces of work by Tim Hetherington that I felt compelled to share here. The first, is the movie Restrepo, made by Hetherington and his co-director, Sebastian Junger. Set in the Korengal Valley in Afghanistan, the movie focuses on the lives of one platoon whom the filmamkers followed for a year, documenting their engagements and experiences dealing with war. To say it’s a powerful film is an complete understatement. It’s one of the most powerful movies about war I have ever seen.
The second piece of work that I felt compelled to share was ‘Sleeping Soldiers’, a conceptual piece by Hetherington focusing on images he has taken, literally of sleeping soldiers, overlayed with video footage of combat situations in Afghanistan. The resulting piece of work is what I believe is a pardigm-shift in storytelling from a photojournalism perspective. It’s hard not to be engaged and at the same time disturbed when watching this short piece. I felt like I was being thrust into the traumatic and turbulent dreams that men who suffer war must endure. I have never seen work like this before presented in such a way.
So, as a small dedication to these men I can only offer links to their work and spread the messages that they were trying to communicate to the world. This is what we as photographers and storytellers all try to do. Spread the word. Tell untold stories. Illuminate darker places. Work for some kind of change for the good. These two men were at the forefront of our industry trying to do that.
Link to Chris Hondros’s Website | Parting Glance: Colleagues and Friends Remember Chris Hondros – New York Times
For a complete list of links to dedications and tributes to Hetherington, Hondros and their work, please visit Photojournalism Links and DVA Foto
Came across a very interesting article on the BBC website this morning titled “Africa through a Lens”, that I wanted to share with you and spread the message about. According to the article…
“Thousands of old photographs from across Africa – as seen by British colonial staff stationed there – have been digitised by The NationalArchives and put online, in the hope that the public can help identify some of the people, places and customs captured on film.”
There’s a 4 minute slideshow which runs through the pictures with a commentary by presenters on BBC Radio 4. It’s well worth 4 minutes of your time.
Some of the images reminded me of the work of the great George Rodger, one of the founding members of Magnum (under-rated and overlooked a lot, in my opinion) and his work in Africa. You can view his profile on the Magnum site here.
This is the second in my series of Multimedia pieces for the Pulitzer Center on Crisis Reporting, produced from the body of work I created this summer on China’s current wetlands crisis. These pieces take a lot longer to produce than your average photo essay but I feel they add a whole lot more to the general understanding of the issue. Hope you agree. Please find the synopsis of this piece below:
“Since the end of World War 2, the world has lost approximately 50% of its mangroves, mainly as a result of destruction by humans for coastal developments.
Found mainly in the tropics and subtropics, mangroves are a unique species of trees and shrubs that thrive in saltwater. They are valued for their ability to protect coastlines, harbor wildlife and have a nutrient base on a par with the rainforests.
Photographer and videographer Sean Gallagher, travels to South-East China to report on a project aiming to save the remaining pockets of mangroves in China, on assignment for the Pulitzer Center on Crisis Reporting.
I’m happy to announce that my new multimedia piece for the Pulitzer Center on Crisis Reporting is now online. ‘The Chinese Alligator: Species on the Brink” is a look at the plight of China’s only crocodilian species and the effects of decades of wetlands reclamation on population numbers. By combining stills, video, interviews and time-lapse photography I hope this piece provides a visually interesting account of the current situation, as well as an informative one.
This is the first in a series of multimedia pieces that I will be producing for the Pulitzer Center over the coming weeks and months, so please do stay tuned for more.
The piece above is hosted on Vimeo where you can watch it in full HD at 1280×720. As it is HD, it may take a little time to load but I hope it’s worth the wait to get the best out of the video and stills. For all you techies out there, the whole piece was shot with a Canon 7D with 16-35mm F2.8 and 70-200 F4.0 lenses and audio was recorded on an M-Audio Microtrack II.
Once you start the piece, you will notice that there are interchanging Chinese and English subtitles. It has been one of my main aims to start reaching out to my Chinese audience more and I hope by producing these pieces in both languages that the message of the piece will reach more people. As Vimeo is blocked in China, I will be releasing this piece on Youku and Tudou soon. Please stay tuned for that.
If you have any thoughts or feelings about the piece, I am always happy to hear them!
Posted September 20th, 2009 in Uncategorized by Sean Gallagher
I just noticed today that I haven’t had a new post up for 10 days! Wow. I have been quite busy of late, having just got back from a shoot in the Chinese city of Hangzhou where I teamed up again with the Globe & Mail’s Mark Mackinnon for a new story. More on that to come in later posts.
A lot of my work appeared online in various blogs and magazines this week, which was great.
Burn Magazine Logo
On David Alan Harvey’s magazine, Burn, he published a short selection of my images that I took from the recent trip I took to North Korea. David edited these images himself actually, sequencing them also in the way he saw best fit. If you read the dialogue, he offers a few insights into how he went about this and his thoughts on editing. As this work is quite new to me, I was more than happy for David to help me create a voice for this work. To see what he came up with, go here.
Resolve Logo
Also, over on the liveBooks’ blog RESOLVE (for whom I am a regular contributor) my final post about some of my experiences photographing desertification for the Pulitzer Center on Crisis Reporting, went up this week. If you missed some my earlier writings for RESOLVE, please go here, here and here to see them.
Duckrabbit Logo
Finally and by no means least, the excellent multimedia website duckrabbit featured a short highlight of some of my recent work focusing on both my desertification work and that in North Korea.
I can’t encourage you enough to go and check out all three of the above outlets. They are all very exciting venues for photography online at the moment.
This is the third and final installment of mine and Mark MacKinnon’s short videos from our trip in North Korea.
This third video focuses on the Chinese city of Dandong, which lies on the North Korea/China border and offers a startling contrast between the two sides of the Yalu river. Whilst the city of Dandong thrives, fuelled by the economic boom in many of China’s cities, the North Korean side is devoid of life, except for the odd fishing boat and abandoned building.
I hope you have enjoyed this set of three videos. In case you missed the other two, please find the first one “Inside North Korea” here and the second, “The Arirang Mass Games” here.
Welcome to the blog of Sean Gallagher, a British photojournalist, videographer and multimedia producer based in Beijing, China.
Sean specializes in covering environmental issues in Asia, with specific emphasis on China. This blog is updated with posts about Sean's life as a professional photojournalist.
Sean's work has featured in news outlets including Newsweek, The New York Times, The Guardian and Der Spiegel. He is also a contributing photographer to the National Geographic Image Collection.
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