VISUAL THOUGHTS 视觉观点

Moving Sands in Dunhuang, Gansu Province. China. 2007

This week’s ‘Photo of the Week” comes with a slightly odd title and to be honest, is admittedly a slightly odd picture.

I created this image in 2007 near the town of Dunhuang, which is situated in western China in Gansu Province. The area is famous in China because of its spectacular desert scenery, an oasis which has been present for hundreds of years and also local grottoes that contain 1500 year-old Buddhist paintings.

I was in the region as I was beginning my work on the subject of desertification, which as readers of my blog will know has become one of my main works over the past couple of years. This was my first trip to begin photographing this phenomenon and I found myself outside of the slightly touristy town of Dunhuang, exploring areas away from the hoardes of visitors. As I tend to do when I visit a new place, I had rented a bicycle and began exploring the area on my own.  My meandering brought me to a very surreal and somber scene. A huge graveyard on the fringes of the desert.

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A Giant Salamander in Wuhan Zoo. 2008

“The greatness of a nation and its moral progress can be judged by the way that it treats its animals” – Mohandas Gandhi

In March of 2008, I was travelling down China’s greatest river, the Yangtze. Passing through the city of Wuhan, I happened upon the city’s zoo one day and was shocked by the conditions in which the animals were being kept. As a result, I returned to the city a few weeks later in order to photograph the various animals in an attempt to convey the appalling conditions in which they were living.

China has a mixed record in the way in which it treats its animals. From the use of animal parts for Chinese medicine to the new conservation efforts to protect tigers (as a result of  this year being the year of the tiger), it seems confusing whether animals are valued or not. Maybe attitudes are changing. A quick trip to the  zoo in Wuhan will certainly dispel you optimism for change however. read more »

Cadres | Beijing | China | 2007

This week’s ‘Photo of the Week’ was a shot taken as part of the ‘One Night in Beijing’ shoot for the Immersion Guides to Beijing in 2007. Exactly one year before the beginning of the Olympic Games in Beijing, photographers all across the capital were commissioned to head out onto the streets to capture images that represented the city at night.

It was an interesting shoot and the result was a very nice book which showed off many of the eclectic pictures captured from that night. The above picture from a club in the city didn’t actually make the final edit but I always liked it due to the intense colours and the contrast between the Long March Cadres on the wall and the revellers dancing.

White Cloud Temple | Baiyun Guan

On Saturday night, the skies lit up with fireworks above most Chinese cities, signifying the start of China’s most special holiday of the year: Chinese New Year.

For the next week Chinese families will spent most of the time eating, drinking, visiting family members, catching up with old friends and heading to many of the temple fairs that are taking place. This week’s ‘Photo(s) of the Week’ come from the White Cloud Temple in Beijing. This Taoist temple is over a thousand years old and is one of the locations for Beijing’s most interesting celebrations during this special week.

The photo at the top is of people rubbing chinese characters, in order to gain luck, fortune, prosperity etc. from the character of corresponding meaning.

White Cloud Temple | Baiyun Guan

The second image is taken within the grounds of the temple and is of two young girls, dressed up in their finest new year clothes.

We’re very excited to be returning to this temple tomorrow for our special Chinese New Year Photography Workshop where students will have the chance to capture the unique celebrations at this special temple. I wish all readers of my blog a happy and prosperous new year of the Tiger! 虎年快乐！

St Mark's Square | Venice | Italy

This week’s ‘Photo of the Week’ is one that I have dug out of my archive from possibly the most photographed city of all time…Venice, Italy.

I made the obligatory photographers/travellers pilgrimage to this city for a short weekend break and was overcome, mostly by the hordes of visitors there at the same time as me. Luckily, I had a good friend who was a local, who was able to steer me away from some of the more heavily visited areas.

When you visit a place like Venice, which is photographed constantly, it is sometimes hard to create something that is perceived as unique or different. You try to avoid visual cliches that have been reproduced by hundreds of other photographers before you.

Whilst I was happy with a lot of my photos, my favourite photo actually came from the most visited part of the city, St Mark’s Square. As anyone who has visited the square will know, it is normally inhabited by large numbers of pigeons all vying for the food which tourists happily feed them. This one girl donned in a cat’s mask, patiently waited in what almost seemed like a trap for the unsuspecting avian residents. Did she catch any? I can’t remember but it was fun to watch as she created this visual idiom before me.

China. The Taklamakan Desert. 2009

The ‘Sea of Death’ is the not-so affectionate name that has been given by the Chinese people to the Taklamakan desert, a desert of such epic proportions and intimidating size, that its name in the local Uygur language translates as ‘You can go in, but you will never come out’.

I visited the Taklamakan desert as part of my work on the issue of desertification in China for the Pulitzer Center on Crisis Reporting in April of this year and this is one of my favourote images, that I’d like to share with you as this week’s ‘Photo of the Week’.

Photographing in the Taklamakan

The trees in the images are dead poplar trees, on the edges of the Taklamakan. As the desert moves, whole forests of trees are engulfed by the sand and huge swathes of land are reduced to no more than forest graveyards. It is an eerie and unnerving place, conjuring up the image of the aftermath of some epic disaster. Well, this is a disaster, an environmental disaster in China on the grandest scale. The significance of which is slowly dawning on people. This is where I have tried to come in by visually communicating the scale of this under-reported issue.

There are some interesting and exciting developments happening for this work at the moment that I’d love to share with you but I dare not talk about it, in case I jinx it. If and when these developments happen, the news will be out here on my blog first, so stay tuned. In the meantime, please spread the word about this issue.

Charlotte, poses for a photo, during a break between classes. 2007

*This week’s ‘Photo of the Week’ is an image from my story on the Bethel Training Center for Blind Orphans, currently being featured on the Photophilanthropy website. Below is the extract which supports the story. To see more images from this story, please click on the Photophilanthropy link.”

“I can see, and that is why I can be happy, in what you call the dark, but which to me is golden.” – Helen Keller, Blind and Deaf US Writer.

There are around 500,000 blind and visually impaired children in China. As a result of China’s strict one-child policy, children born with physical or mental disabilities are regularly abandoned as parents strive to have their only child born ‘normal’ and well.

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Diwali celebrations in Trafalgar Square, London. UK. 2004

A friend of mine reminded me this weekend that it was the Hindu festival of Diwali this week. In case you don’t know, Divali (or the Festival of Light as it is also called) is a celebration held over 5 days by Hindu communities throughout the world. Lights are lit, fireworks are set off and families come together for this important day.

Diwali celebrations in Trafalgar Square, London. UK. 2004

This week’s ‘Photo of the Week’ comes from Diwali celebrations, not in India, but in London. I took them in 2004, during my one year paid internship at Magnum Photo’s London office. I remember having only been at Magnum for a couple of months when this festival came about. Having been inspired day-in-day-out (as I was for most of the year) I headed out onto the streets to try and capture some of the colour and fervour that surrounded the festival on the streets of the UK’s capital. I’d like to share five of those images with you taken during celebrations in 2004.

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Pedestrians in downtown Hong Kong. 2008

This week’s ‘Photo of the Week’ takes us to Hong Kong. I first visited Hong Kong in November of 2008 and was completely taken by this unique and exciting city. 155 years of British colonial rule have obviously left a lot of British influence and I immediately felt at home in what was a place that seemed to have the feelings of both China and Britain, blended together into a unique anglo-sino melting pot.

The above photo was taken on one of the main shopping streets on Hong Kong island. I like this image for one reason really, the colour. I often look for singular colours in images in order to simplify the picture. Whilst out wandering the streets, my attention was obviously caught by the radiating neon signs that jumped out from the shop window. Having seen such a situation, I then decided to stand and wait for pedestrians to walk past in order to create an image with an interesting composition. I didn’t just want a straight shot of the window. I wanted to somehow convey the movement and dynamics of Hong Kong in the one frame.

After returning to my computer and looking closer at this image, other elements started to reveal themselves to me. The condensation on the window for example, running in streaks vertically down the glass. The way that the shapes and lines of the two people’s faces seem to fit together like a puzzle, in a way that reminds me of two continents that were once joined but have slowly separated over time. It’s always great to discover more elements in an image that you don’t realise are there when you first capture it.

A Japanese child, perched on his mother's bike. 2003

I was trawling through my archive today, looking for images to accompany a presentation that I am giving as part of my workshop tomorrow. As I looked through my ‘older’ files, I stumbled upon many of my images that I took while I lived in Japan between 2003-2004. I had just finished University and I was quite unsure about what direction my life was taking. Having been dabbling in photography for a year or two, I decided to take myself off to Japan in order to experience a completely alien culture to my own and see what it brought out in me photographically.

At the time I did not work as a professional photographer. I was on the JET programme, an initiative run by the Japanese government that brought native English speakers to the country to teach schoolchildren. I was based in the small and little-known town of Himeji, on the coast, south of the larger cities of Kobe and Osaka. My main school was in Himeji itself, however for two days of the week I would get on a boat and head out to a small group of islands off the Japanese coast to teach in a school that served the small archipelago.

My daily commute involved a 20 minute bike ride to the local docks, a 25 minute speedboat ride and then another 20 minute bike ride to the school. Not the worst way to travel to work! On one of my commutes whilst cycling on the small islands, I stopped at a small junction and saw this young Japanese buy perched on his mother’s bike. Using my small Minolta Dynax 5, loaded with my favourite film at the time, Fuji Velvia 50, I snapped this one frame of the boy.

I love this photo, as it is one of the first portraits that I was truly happy with and it takes me straight back to my experience of living and working in Japan. The islands (called Ieshima, by the way) were a unique place, and like Japan, hold a special place in my memories living, working and travelling in Asia.